A Modern Book of Esthetics: An Anthology |
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Pagina 16
In the first place there is the factor of imitation . . . . In all games it is of some
importance . The child learns most games through the imitation of adults or of
other children . Just because they serve no practical purpose , the games
demand a ...
In the first place there is the factor of imitation . . . . In all games it is of some
importance . The child learns most games through the imitation of adults or of
other children . Just because they serve no practical purpose , the games
demand a ...
Pagina 298
My inner activity in this imitation is exclusively bound up in a two - fold sense with
the observed object . First - the activity which I feel , I experience as derived
entirely from the contemplation of the perceived movement . It is immediately and
...
My inner activity in this imitation is exclusively bound up in a two - fold sense with
the observed object . First - the activity which I feel , I experience as derived
entirely from the contemplation of the perceived movement . It is immediately and
...
Pagina 299
Contrariwise , in esthetic imitation this opposition is absolutely done away with .
The two are simply one . The mere mental image no longer exists ; my actual
feeling has taken its place . And it is just because of this that I feel myself
performing ...
Contrariwise , in esthetic imitation this opposition is absolutely done away with .
The two are simply one . The mere mental image no longer exists ; my actual
feeling has taken its place . And it is just because of this that I feel myself
performing ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole