A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 16
... imitation appears in a two - fold guise : first , as imitation of nature ; sec- ond , as imitation of others . We shall become better ac- quainted with the imitation of nature in the consideration of the games of illusion and we shall ...
... imitation appears in a two - fold guise : first , as imitation of nature ; sec- ond , as imitation of others . We shall become better ac- quainted with the imitation of nature in the consideration of the games of illusion and we shall ...
Pagina 298
... imitation and this imitation is at the same time esthetic empathy . Here the whole emphasis must be laid on the " identity " which exists for my consciousness . This must be taken in the strictest sense . In voluntary imitation I see ...
... imitation and this imitation is at the same time esthetic empathy . Here the whole emphasis must be laid on the " identity " which exists for my consciousness . This must be taken in the strictest sense . In voluntary imitation I see ...
Pagina 299
... imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own . The only difference seems to be that I now am conscious of experiencing and performing a movement which in fact , and for subsequent ...
... imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own . The only difference seems to be that I now am conscious of experiencing and performing a movement which in fact , and for subsequent ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words