A modern book of esthetics: an anthology |
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Pagina 16
In the first place there is the factor of imitation. ... In all games it is of some
importance. The child learns most games through the imitation of adults or of
other children. Just because they serve no practical purpose, the games demand
a ...
In the first place there is the factor of imitation. ... In all games it is of some
importance. The child learns most games through the imitation of adults or of
other children. Just because they serve no practical purpose, the games demand
a ...
Pagina 90
The very theory of imitation is but the incomplete and superficial statement of the
ideas which we are here advocating. What is it that we admire in imitation? The
resemblance? We have that much better in the object itself. But how is it that the ...
The very theory of imitation is but the incomplete and superficial statement of the
ideas which we are here advocating. What is it that we admire in imitation? The
resemblance? We have that much better in the object itself. But how is it that the ...
Pagina 298
But this does not suffice. My inner activity in this imitation is exclusively bound up
in a two-fold sense with the observed object. First— the activity which I feel, I
experience as derived entirely from the contemplation of the perceived
movement.
But this does not suffice. My inner activity in this imitation is exclusively bound up
in a two-fold sense with the observed object. First— the activity which I feel, I
experience as derived entirely from the contemplation of the perceived
movement.
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words