A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 104
... important as the activity of speech itself , and as generally diffused . . . . We are accustomed to understand art ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the infectiousness ...
... important as the activity of speech itself , and as generally diffused . . . . We are accustomed to understand art ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the infectiousness ...
Pagina 156
... important only because it stimulates imagination , and the object in nature is esthetically important for the same reason . We all remember Wordsworth's Peter Bell : A primrose by a river's brim A yellow primrose was to him , And it was ...
... important only because it stimulates imagination , and the object in nature is esthetically important for the same reason . We all remember Wordsworth's Peter Bell : A primrose by a river's brim A yellow primrose was to him , And it was ...
Pagina 472
... important , becomes unendurable by its appalling monotony of endur- ance . The soul cries aloud for release into ... importance of a living art , which moves on and yet leaves its permanent mark , can hardly be 472 INSTRUMENTALIST THEORIES.
... important , becomes unendurable by its appalling monotony of endur- ance . The soul cries aloud for release into ... importance of a living art , which moves on and yet leaves its permanent mark , can hardly be 472 INSTRUMENTALIST THEORIES.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words