A Modern Book of Esthetics: An Anthology |
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Pagina 88
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Pagina 91
As often as he is struck by any vivid impression — whether moral , intellectual , or physical -and expresses that impression by some outward processby poetry , music , sculpture , painting or architecture — in such a way as to cause its ...
As often as he is struck by any vivid impression — whether moral , intellectual , or physical -and expresses that impression by some outward processby poetry , music , sculpture , painting or architecture — in such a way as to cause its ...
Pagina 129
We are brought , indeed , to see that in esthetic impressions there are no pleasures whatever that cannot become part and ... Now if no pleasure of impression can be cut away from the rest and held to be non - esthetic , then it is ...
We are brought , indeed , to see that in esthetic impressions there are no pleasures whatever that cannot become part and ... Now if no pleasure of impression can be cut away from the rest and held to be non - esthetic , then it is ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole