A Modern Book of Esthetics: An Anthology |
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Pagina 88
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Now , choice of subject alone is enough to prove that , from the very beginning , some preference has existed , the result of a more or less predeterminate impression , and of a more or less unconscious agreement between the character ...
Pagina 91
As often as he is struck by any vivid impression - whether moral , intellectual , or physical -and expresses that impression by some outward process , by poetry , music , sculpture , painting or architecture - in such a way as to cause ...
As often as he is struck by any vivid impression - whether moral , intellectual , or physical -and expresses that impression by some outward process , by poetry , music , sculpture , painting or architecture - in such a way as to cause ...
Pagina 129
We are brought , indeed , to see that in esthetic impressions there are no pleasures whatever that cannot become part and ... Now if no pleasure of impression can be cut away from the rest and held to be non - esthetic , then it is ...
We are brought , indeed , to see that in esthetic impressions there are no pleasures whatever that cannot become part and ... Now if no pleasure of impression can be cut away from the rest and held to be non - esthetic , then it is ...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole