A Modern Book of Esthetics: An Anthology |
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Pagina 382
primo and it is often such that the same group of impulses are aroused in the
spectator . ... A complete systematization must take the form of such an
adjustment as will preserve free play to every impulse , with entire avoidance of
frustration .
primo and it is often such that the same group of impulses are aroused in the
spectator . ... A complete systematization must take the form of such an
adjustment as will preserve free play to every impulse , with entire avoidance of
frustration .
Pagina 383
2 As we realize beauty we become more fully ourselves the more our impulses
are engaged . If , as is sometimes alleged , we are the whole complex of our
impulses , this fact would explain itself . Our interest is not canalized in one
direction ...
2 As we realize beauty we become more fully ourselves the more our impulses
are engaged . If , as is sometimes alleged , we are the whole complex of our
impulses , this fact would explain itself . Our interest is not canalized in one
direction ...
Pagina 404
In so far as the phonograph and the radio do away with the impulse to sing , in so
far as the camera does away with the impulse to see , in so far as the automobile
does away with the impulse to walk , the machine leads to a lapse of function ...
In so far as the phonograph and the radio do away with the impulse to sing , in so
far as the camera does away with the impulse to see , in so far as the automobile
does away with the impulse to walk , the machine leads to a lapse of function ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole