A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 379
... impulses suggested by it . In other words , the balance of impulses makes us feel the object a unity . And this balance of im- pulses , this inhibition of movement , corresponding to unity , is what we know as esthetic repose . Thus the ...
... impulses suggested by it . In other words , the balance of impulses makes us feel the object a unity . And this balance of im- pulses , this inhibition of movement , corresponding to unity , is what we know as esthetic repose . Thus the ...
Pagina 382
... impulses are aroused in the spectator . We do not make the artist's selection because that is done for us . This ... impulses before al- luded to have become further systematized and intensified . Not all impulses , it is plain , as ...
... impulses are aroused in the spectator . We do not make the artist's selection because that is done for us . This ... impulses before al- luded to have become further systematized and intensified . Not all impulses , it is plain , as ...
Pagina 383
... impulses are engaged . If , as is sometimes al- leged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one direction rather than another . It becomes ready instead to take ...
... impulses are engaged . If , as is sometimes al- leged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one direction rather than another . It becomes ready instead to take ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words