A Modern Book of Esthetics: An Anthology |
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Pagina 379
another point of view it may be said that the unity of the object is constituted just by the inhibition of all tendency to movement through the balance or centrality of impulses suggested by it . In other words , the balance of impulses ...
another point of view it may be said that the unity of the object is constituted just by the inhibition of all tendency to movement through the balance or centrality of impulses suggested by it . In other words , the balance of impulses ...
Pagina 382
N M bp . as a e qui UNL and it is often such that the same group of impulses are aroused in the spectator . We do not make the artist's selection because that is done for us . This seems to be the only way , unless by telepathy ...
N M bp . as a e qui UNL and it is often such that the same group of impulses are aroused in the spectator . We do not make the artist's selection because that is done for us . This seems to be the only way , unless by telepathy ...
Pagina 383
2 As we realize beauty we become more fully ourselves the more our impulses are engaged . If , as is sometimes alleged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one ...
2 As we realize beauty we become more fully ourselves the more our impulses are engaged . If , as is sometimes alleged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole