A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 42
Pagina xxiv
... of theory , maintain that art is distinguished from science as a vision of what is
unique is distinguished from a summary of what is general . Artists express what
is absolutely individual ; unlike the scientists , they are intuitive , not intellectual .
... of theory , maintain that art is distinguished from science as a vision of what is
unique is distinguished from a summary of what is general . Artists express what
is absolutely individual ; unlike the scientists , they are intuitive , not intellectual .
Pagina 324
In short , Distance may be said to be variable both according to the distancing -
power of the individual , and according to the character of the object . There are
two ways of losing Distance : either to “ underdistance ” or to “ over - distance .
In short , Distance may be said to be variable both according to the distancing -
power of the individual , and according to the character of the object . There are
two ways of losing Distance : either to “ underdistance ” or to “ over - distance .
Pagina 371
Both science and art , knowledge and beauty , are independent of individual ,
personal desires and instincts and fancies . Both make a general claim ; they are
not meant as individual decisions , they demand an overindividual value ; that ...
Both science and art , knowledge and beauty , are independent of individual ,
personal desires and instincts and fancies . Both make a general claim ; they are
not meant as individual decisions , they demand an overindividual value ; that ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole