A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 4
... instinctive play of animals . It de- velops gradually from mere satisfaction of instinctive im- pulse , through an intermediate stage in which the activity is regarded as serious or practical , to a final stage in which instinct and ...
... instinctive play of animals . It de- velops gradually from mere satisfaction of instinctive im- pulse , through an intermediate stage in which the activity is regarded as serious or practical , to a final stage in which instinct and ...
Pagina 14
... instinctive urge for motion when the opportunity for it is lacking . The man who is forced by his profession to be on the move all day has no need for games of motion . Farmers and tradesmen when away from their work want to rest . The ...
... instinctive urge for motion when the opportunity for it is lacking . The man who is forced by his profession to be on the move all day has no need for games of motion . Farmers and tradesmen when away from their work want to rest . The ...
Pagina 37
... instinctive impulse ( where the act is performed neither for its own sake nor for the sake of an external aim , but simply in obedience to hereditary propensity ) through what is sub- jectively considered akin to work , up to make ...
... instinctive impulse ( where the act is performed neither for its own sake nor for the sake of an external aim , but simply in obedience to hereditary propensity ) through what is sub- jectively considered akin to work , up to make ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words