A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 76
... interest in knowledge as the sole interest in art , whereas all other interests may with equal right be satisfied there , and the interest in understanding invariably follows the track of some other desire . In pessimistic art , for ...
... interest in knowledge as the sole interest in art , whereas all other interests may with equal right be satisfied there , and the interest in understanding invariably follows the track of some other desire . In pessimistic art , for ...
Pagina 172
... interest , " and the interest would have to be in its turn dissolved in the interest of the spirit of the poet - that is , in his intimate aspiration , in his feeling . The negative issue of the great dispute between classicists and ...
... interest , " and the interest would have to be in its turn dissolved in the interest of the spirit of the poet - that is , in his intimate aspiration , in his feeling . The negative issue of the great dispute between classicists and ...
Pagina 351
... interest to me and with very few exceptions particular works of art possess even less interest . But in turn , my valuation of the new artistic products should not be of interest to any one . Writers who reduce their inspiration to ...
... interest to me and with very few exceptions particular works of art possess even less interest . But in turn , my valuation of the new artistic products should not be of interest to any one . Writers who reduce their inspiration to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole