A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 76
... interest in knowledge as the sole interest in art , whereas all other interests may with equal right be satisfied there , and the interest in understanding invariably follows the track of some other desire . In pessimistic art , for ...
... interest in knowledge as the sole interest in art , whereas all other interests may with equal right be satisfied there , and the interest in understanding invariably follows the track of some other desire . In pessimistic art , for ...
Pagina 328
... interest to the psychologist . In fact , the whole censorship problem , as far as it does not turn upon purely economic questions , may be said to hinge upon Distance ; if every member of the public could be trusted to keep it , there ...
... interest to the psychologist . In fact , the whole censorship problem , as far as it does not turn upon purely economic questions , may be said to hinge upon Distance ; if every member of the public could be trusted to keep it , there ...
Pagina 351
... interest . But in turn , my valuation of the new artistic products should not be of interest to any one . Writers who reduce their inspiration to express their esteem or lack of esteem for works of art JOSÉ ORTEGA Y GASSET 351.
... interest . But in turn , my valuation of the new artistic products should not be of interest to any one . Writers who reduce their inspiration to express their esteem or lack of esteem for works of art JOSÉ ORTEGA Y GASSET 351.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words