A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 158
... Intuition is this sympathy or direct vision , and the artist is unusually gifted with it . Most works of art are the records of intuition . But one type of ... INTUITION AND EXPRESSION I Art as Intuition . 158 INTUITION AND TECHNIQUE.
... Intuition is this sympathy or direct vision , and the artist is unusually gifted with it . Most works of art are the records of intuition . But one type of ... INTUITION AND EXPRESSION I Art as Intuition . 158 INTUITION AND TECHNIQUE.
Pagina 173
... intuition , then , is always lyrical intuition : this latter being a word that is not present as an adjective or definition of the first , but as a synonym , another of the synonyms that can be united to the several that I have ...
... intuition , then , is always lyrical intuition : this latter being a word that is not present as an adjective or definition of the first , but as a synonym , another of the synonyms that can be united to the several that I have ...
Pagina 174
... intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing ...
... intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words