A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 368
... isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the mind ...
... isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the mind ...
Pagina 371
... isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but ... isolation of things . If we give our whole mind to an object which we isolate with the understanding that we do not ...
... isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but ... isolation of things . If we give our whole mind to an object which we isolate with the understanding that we do not ...
Pagina 376
... isolation ; and that it is the function of art to bring about this isolation and to show us the object in its immediate truth . -The Principles of Art Education ( 1905 ) ETHEL D. PUFFER THE ESTHETIC REPOSE Esthetic feeling arises in 376 ...
... isolation ; and that it is the function of art to bring about this isolation and to show us the object in its immediate truth . -The Principles of Art Education ( 1905 ) ETHEL D. PUFFER THE ESTHETIC REPOSE Esthetic feeling arises in 376 ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words