A modern book of esthetics: an anthology |
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Pagina xxix
This emphasis upon the importance of relations within the frame of the
experience, of course, in no way contradicts Miinsterberg's theory of isolation. In
fact, the very basis of isolation is the existence of a fascinating system of relations
that ...
This emphasis upon the importance of relations within the frame of the
experience, of course, in no way contradicts Miinsterberg's theory of isolation. In
fact, the very basis of isolation is the existence of a fascinating system of relations
that ...
Pagina 368
If that ever can be reached, the result must be clear: for the object it means
complete isolation, for the subject, it means complete repose in the, nhjerr, and
that is complete satisfaction with the object; and that is, finally, merely another
name for ...
If that ever can be reached, the result must be clear: for the object it means
complete isolation, for the subject, it means complete repose in the, nhjerr, and
that is complete satisfaction with the object; and that is, finally, merely another
name for ...
Pagina 376
... we must separate it from all its connections, must grasp it in its complete
isolation; and that it is the function of art to bring about this isolation and to show
ns the object in its immediate truth. —The Principles of Art Education (1905)
ETHEL D.
... we must separate it from all its connections, must grasp it in its complete
isolation; and that it is the function of art to bring about this isolation and to show
ns the object in its immediate truth. —The Principles of Art Education (1905)
ETHEL D.
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words