A Modern Book of Esthetics: An Anthology |
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Pagina 119
Santayana points out that there is another kind of sublimity : " If we may call the
liberation of the self by the consciousness of evil in the world , the Stoic sublime ,
we may assert that there is also an Epicurean sublime , which consists in ...
Santayana points out that there is another kind of sublimity : " If we may call the
liberation of the self by the consciousness of evil in the world , the Stoic sublime ,
we may assert that there is also an Epicurean sublime , which consists in ...
Pagina 213
The perception of the beautiful is related to knowledge , but by way of addition , "
as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a
kind of delight . The beautiful is essentially delightful . Therefore by its very nature
...
The perception of the beautiful is related to knowledge , but by way of addition , "
as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a
kind of delight . The beautiful is essentially delightful . Therefore by its very nature
...
Pagina 246
But all these emotions are recognizably the same in kind ; so far , at any rate , the
best opinion is on my side . That there is a particular kind of emotion provoked by
works of visual art , and that this emotion is provoked by every kind of visual art ...
But all these emotions are recognizably the same in kind ; so far , at any rate , the
best opinion is on my side . That there is a particular kind of emotion provoked by
works of visual art , and that this emotion is provoked by every kind of visual art ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole