A Modern Book of Esthetics: An Anthology |
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Pagina 155
Apart from sensation , which is relatively passive , these active phases are knowledge and practice . Art must be one or the other , or must combine both . But unlike economics and morals , it falls wholly outside of the sphere of ...
Apart from sensation , which is relatively passive , these active phases are knowledge and practice . Art must be one or the other , or must combine both . But unlike economics and morals , it falls wholly outside of the sphere of ...
Pagina 371
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be knowledge ; and , on the other hand , we might , in a sensual enjoyment , give over our whole mind to anything which ...
Pagina 376
with that which was before and with that which will follow , it becomes astronomical knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation ...
with that which was before and with that which will follow , it becomes astronomical knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole