A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 155
... knowledge , or the theoretical mode . Now knowledge , according to Croce , has two forms : " It is either intuitive knowledge or logical knowledge ; knowledge ob- tained through the imagination or knowledge obtained through the ...
... knowledge , or the theoretical mode . Now knowledge , according to Croce , has two forms : " It is either intuitive knowledge or logical knowledge ; knowledge ob- tained through the imagination or knowledge obtained through the ...
Pagina 371
... knowledge and beauty , are independent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge ...
... knowledge and beauty , are independent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge ...
Pagina 376
... knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation and more insistent training than the stimulation of such inquiries , which must be ...
... knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation and more insistent training than the stimulation of such inquiries , which must be ...
Sommario
Ludovici | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words