A modern book of esthetics: an anthology |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 88
Now, choice of subject alone is enough to prove that, from the very beginning,
some preference has existed, the result of a more or less predeterminate
impression, and of a more or less unconscious agreement between the character
of the ...
Now, choice of subject alone is enough to prove that, from the very beginning,
some preference has existed, the result of a more or less predeterminate
impression, and of a more or less unconscious agreement between the character
of the ...
Pagina 105
And as the evolution of knowledge proceeds by truer and more necessary
knowledge dislodging and replacing what is mistaken and unnecessary, so the
evolution of feeling proceeds through art— feelings less kind and less needful for
the ...
And as the evolution of knowledge proceeds by truer and more necessary
knowledge dislodging and replacing what is mistaken and unnecessary, so the
evolution of feeling proceeds through art— feelings less kind and less needful for
the ...
Pagina 437
We gave up Art for what we thought was light and freedom, but it was less than
light and freedom which we bought: the light showed many things to those of 'the
well-to-do who cared to look for them: the freedom left the well-to-do free enough
...
We gave up Art for what we thought was light and freedom, but it was less than
light and freedom which we bought: the light showed many things to those of 'the
well-to-do who cared to look for them: the freedom left the well-to-do free enough
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words