A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 105
... less it fulfills it the worse the art . And the appraisement of feelings ( that is , the acknowl- edgment of one set of feelings or another as being more or less good , more or less necessary for the well - being of mankind ) is made by ...
... less it fulfills it the worse the art . And the appraisement of feelings ( that is , the acknowl- edgment of one set of feelings or another as being more or less good , more or less necessary for the well - being of mankind ) is made by ...
Pagina 124
... less developed condition , cannot grasp ? This will indeed enable us to account for more or less of beauty , in proportion to our state of development ; but not , so far as I can see , for the fact that what I in my childhood held to be ...
... less developed condition , cannot grasp ? This will indeed enable us to account for more or less of beauty , in proportion to our state of development ; but not , so far as I can see , for the fact that what I in my childhood held to be ...
Pagina 213
... less successfully analyze in reflection the causes of such joy.1 So , although the beautiful is in close dependence upon what is metaphysically true , in the sense that every splendor of intelligibility in things presupposes some degree ...
... less successfully analyze in reflection the causes of such joy.1 So , although the beautiful is in close dependence upon what is metaphysically true , in the sense that every splendor of intelligibility in things presupposes some degree ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words