A Modern Book of Esthetics: An Anthology |
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Pagina 249
In a black and white drawing the spaces are all white and all are bounded by black lines ; in most oil paintings the spaces are multi - colored and so are the boundaries ; you cannot imagine a boundary line without any content , or a ...
In a black and white drawing the spaces are all white and all are bounded by black lines ; in most oil paintings the spaces are multi - colored and so are the boundaries ; you cannot imagine a boundary line without any content , or a ...
Pagina 280
The eye has a tendency to follow lines and to travel with greater or less ease according to the kind of line . ... to claim that any very extensive spiritual experience is derived from thus traveling around on the lines of a picture .
The eye has a tendency to follow lines and to travel with greater or less ease according to the kind of line . ... to claim that any very extensive spiritual experience is derived from thus traveling around on the lines of a picture .
Pagina 281
our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when difficult progress over broken lines , around uncomfortable angles ...
our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when difficult progress over broken lines , around uncomfortable angles ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole