A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 249
... lines ; in most oil paintings the spaces are multi - colored and so are the boundaries ; you cannot imagine a boundary line without any content , or a content without a boundary line . Therefore , when I speak of significant form , I ...
... lines ; in most oil paintings the spaces are multi - colored and so are the boundaries ; you cannot imagine a boundary line without any content , or a content without a boundary line . Therefore , when I speak of significant form , I ...
Pagina 280
... line may perform - that of suggesting motion . The eye has a tendency to follow lines and to travel with greater or less ease according to the kind of line . It would be childish to claim that any very extensive spiritual experience is ...
... line may perform - that of suggesting motion . The eye has a tendency to follow lines and to travel with greater or less ease according to the kind of line . It would be childish to claim that any very extensive spiritual experience is ...
Pagina 281
An Anthology Melvin Miller Rader. our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when difficult progress over broken lines ...
An Anthology Melvin Miller Rader. our eye in traveling over lines is indeed great swiftness when those lines , measurable in inches , appear to us as wide uplands stretching to remote hills . And when difficult progress over broken lines ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole