A modern book of esthetics: an anthology |
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Pagina 249
In a black and white drawing the spaces are all white and all are bounded by
black lines; in most oil paintings the spaces are multi-colored and so are the
boundaries; you cannot imagine a boundary line without any content, or a
content ...
In a black and white drawing the spaces are all white and all are bounded by
black lines; in most oil paintings the spaces are multi-colored and so are the
boundaries; you cannot imagine a boundary line without any content, or a
content ...
Pagina 280
This new thing, which may be surprisingly intense and vivid, is not discoverable
either in the represented object per se or in the mere formal value of the lines
used. It is a product of the fusion, often as unexpected and as novel as a
chemical ...
This new thing, which may be surprisingly intense and vivid, is not discoverable
either in the represented object per se or in the mere formal value of the lines
used. It is a product of the fusion, often as unexpected and as novel as a
chemical ...
Pagina 281
our eye in traveling over lines is indeed great swiftness when those lines,
measurable in inches, appear to us as wide uplands stretching to remote hills.
And when difficult progress over broken lines, around uncomfortable angles, and
through ...
our eye in traveling over lines is indeed great swiftness when those lines,
measurable in inches, appear to us as wide uplands stretching to remote hills.
And when difficult progress over broken lines, around uncomfortable angles, and
through ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words