A modern book of esthetics: an anthology |
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Risultati 1-3 di 36
Pagina 152
It makes for their dignity, as for that of human happiness, that they should be
broadly based; and the glints of actual beauty seem all the more living and
miraculous when they peep at us from the works of man or of nature in places
where no ...
It makes for their dignity, as for that of human happiness, that they should be
broadly based; and the glints of actual beauty seem all the more living and
miraculous when they peep at us from the works of man or of nature in places
where no ...
Pagina 328
There is, of course, no doubt that, speaking generally, theatrical performances eo
ipso run a special risk of a loss of Distance owing to the material presentment 2 of
its subject-matter. The physical presence of living human beings as vehicles of ...
There is, of course, no doubt that, speaking generally, theatrical performances eo
ipso run a special risk of a loss of Distance owing to the material presentment 2 of
its subject-matter. The physical presence of living human beings as vehicles of ...
Pagina 428
... England, the terrible spectacle is exhibited of two peoples living street by street
and door by door, people of the same blood, the same tongue, and at least
nominally living under the same laws, but yet one civilized and the other
uncivilized.
... England, the terrible spectacle is exhibited of two peoples living street by street
and door by door, people of the same blood, the same tongue, and at least
nominally living under the same laws, but yet one civilized and the other
uncivilized.
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words