A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina xxvi
... look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 The Theory ...
... look to art to express the values of science , just as , conversely , we must look to such sciences as esthetics and archeology to record the facts of art . The substance of art , then , is value , not fact , law , or 12 The Theory ...
Pagina 305
... looks as if it were rising . The mountain looks ! Surely here is a case of putting the cart before the horse . No ; we cannot explain the mountain ... look at the mountain we somehow or other think of the action of rising . Is 305.
... looks as if it were rising . The mountain looks ! Surely here is a case of putting the cart before the horse . No ; we cannot explain the mountain ... look at the mountain we somehow or other think of the action of rising . Is 305.
Pagina 306
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words