A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina iii
... . My thanks , finally , are gratefully extended to the fol- lowing publishers and individuals who have granted per- mission to reproduce materials included in this anthology : to the Appleton - Century Company , for material from iii.
... . My thanks , finally , are gratefully extended to the fol- lowing publishers and individuals who have granted per- mission to reproduce materials included in this anthology : to the Appleton - Century Company , for material from iii.
Pagina iv
... material from Clive Bell's Art ; to the Hogarth Press , for material from Roger Fry's essay " The Artist and Psycho- Analysis " ; to Rhys Carpenter and Bryn Mawr College , for a selection from Carpenter's The Esthetic Basis of Greek Art ...
... material from Clive Bell's Art ; to the Hogarth Press , for material from Roger Fry's essay " The Artist and Psycho- Analysis " ; to Rhys Carpenter and Bryn Mawr College , for a selection from Carpenter's The Esthetic Basis of Greek Art ...
Pagina 465
... material through which to express itself . Emotion is an indication of intimate participation , in a more or less ... materials . This procedure may indeed be carried to a point such that the use of ob- jective materials is ...
... material through which to express itself . Emotion is an indication of intimate participation , in a more or less ... materials . This procedure may indeed be carried to a point such that the use of ob- jective materials is ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words