A Modern Book of Esthetics: An Anthology |
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Pagina iii
My original aim was to include no material published before 1895 , but I finally made exception in the case of Eugene Véron and William Morris . Véron seems to me so often neglected and yet so important for the thought of to - day that ...
My original aim was to include no material published before 1895 , but I finally made exception in the case of Eugene Véron and William Morris . Véron seems to me so often neglected and yet so important for the thought of to - day that ...
Pagina iv
to the Appleton - Century Company , for material from Karl Groos ' The Play of Animals ; to the Macmillan Company , for excerpts from Friedrich Nietzsche's The Will to Power , Yrjö Hirn's The Origins of Art , Benedetto Croce's Esthetic ...
to the Appleton - Century Company , for material from Karl Groos ' The Play of Animals ; to the Macmillan Company , for excerpts from Friedrich Nietzsche's The Will to Power , Yrjö Hirn's The Origins of Art , Benedetto Croce's Esthetic ...
Pagina 465
something existing somewhere by itself which then employs material through which to express itself . Emotion is an indication of intimate participation , in a more or less excited way in some scene of nature or life ; it is , so to ...
something existing somewhere by itself which then employs material through which to express itself . Emotion is an indication of intimate participation , in a more or less excited way in some scene of nature or life ; it is , so to ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole