A Modern Book of Esthetics: An Anthology |
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Pagina iii
My original aim was to include no material published before 1895 , but I finally
made exception in the case of Eugene Véron and William Morris . Véron seems
to me so often neglected and yet so important for the thought of to - day that even
...
My original aim was to include no material published before 1895 , but I finally
made exception in the case of Eugene Véron and William Morris . Véron seems
to me so often neglected and yet so important for the thought of to - day that even
...
Pagina iv
to the Appleton - Century Company , for material from Karl Groos ' The Play of
Animals ; to the Macmillan Company , for excerpts from Friedrich Nietzsche ' s
The Will to Power , Yrjö Hirn ' s The Origins of Art , Benedetto Croce ' s Ćsthetic ...
to the Appleton - Century Company , for material from Karl Groos ' The Play of
Animals ; to the Macmillan Company , for excerpts from Friedrich Nietzsche ' s
The Will to Power , Yrjö Hirn ' s The Origins of Art , Benedetto Croce ' s Ćsthetic ...
Pagina 465
something existing somewhere by itself which then employs material through
which to express itself . Emotion is an indication of intimate participation , in a
more or less excited way in some scene of nature or life ; it is , so to speak , an
attitude ...
something existing somewhere by itself which then employs material through
which to express itself . Emotion is an indication of intimate participation , in a
more or less excited way in some scene of nature or life ; it is , so to speak , an
attitude ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole