A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 100
... means to pleasure , and to consider it as one of the conditions of human life . View- ing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech , transmitting the thoughts ...
... means to pleasure , and to consider it as one of the conditions of human life . View- ing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech , transmitting the thoughts ...
Pagina 457
... means . Estheticians reverse the performance , and see in good acts means to an ulterior external happiness , while esthetic ap- preciation is called a good in itself , or that strange thing an end in itself . But on both sides it is ...
... means . Estheticians reverse the performance , and see in good acts means to an ulterior external happiness , while esthetic ap- preciation is called a good in itself , or that strange thing an end in itself . But on both sides it is ...
Pagina 458
... means , there is an enforced necessity of doing one thing as a coerced antecedent of the occurrence of an- other thing which is wanted . Means are always at least causal conditions ; but causal conditions are means only when they ...
... means , there is an enforced necessity of doing one thing as a coerced antecedent of the occurrence of an- other thing which is wanted . Means are always at least causal conditions ; but causal conditions are means only when they ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words