A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 100
... means to pleasure , and to consider it as one of the conditions of human life . Viewing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech , transmitting the thoughts and ...
... means to pleasure , and to consider it as one of the conditions of human life . Viewing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech , transmitting the thoughts and ...
Pagina 457
... means . Estheticians reverse the performance , and see in good acts means to an ulterior external happiness , while esthetic appreciation is called a good in itself , or that strange thing an end in itself . But on both sides it is true ...
... means . Estheticians reverse the performance , and see in good acts means to an ulterior external happiness , while esthetic appreciation is called a good in itself , or that strange thing an end in itself . But on both sides it is true ...
Pagina 458
... means , there is an enforced necessity of doing one thing as a coerced antecedent of the occurrence of another thing which is wanted . Means are always at least causal conditions ; but causal conditions are means only when they possess ...
... means , there is an enforced necessity of doing one thing as a coerced antecedent of the occurrence of another thing which is wanted . Means are always at least causal conditions ; but causal conditions are means only when they possess ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole