A Modern Book of Esthetics: An Anthology |
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Pagina 307
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
Pagina 336
The mere realism of foreshortening and of the boldest vertical perspective may well have made the naïve Christian of the ... For the tragic is just in so far different from the merely sad , as it is distanced ; and it is largely the ...
The mere realism of foreshortening and of the boldest vertical perspective may well have made the naïve Christian of the ... For the tragic is just in so far different from the merely sad , as it is distanced ; and it is largely the ...
Pagina 374
Guernica . for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question ...
Guernica . for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole