A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 307
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
Pagina 336
... mere realism of foreshortening and of the boldest vertical perspective may well have made the naïve Christian of ... merely cranky , eccentric , pathological . The exceptional element in tragic figures - that which makes them so ...
... mere realism of foreshortening and of the boldest vertical perspective may well have made the naïve Christian of ... merely cranky , eccentric , pathological . The exceptional element in tragic figures - that which makes them so ...
Pagina 374
... merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our ...
... merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words