A Modern Book of Esthetics: An Anthology |
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Pagina 307
But it is far more than the idea merely of that lifting or raising which we are doing
at this particular present moment and in connection with this particular mountain .
That present and particular raising and lifting is merely the nucleus to which ...
But it is far more than the idea merely of that lifting or raising which we are doing
at this particular present moment and in connection with this particular mountain .
That present and particular raising and lifting is merely the nucleus to which ...
Pagina 336
The mere realism of foreshortening and of the boldest vertical perspective may
well have made the naïve Christian of the ... For the tragic is just in so far different
from the merely sad , as it is distanced ; and it is largely the exceptional which ...
The mere realism of foreshortening and of the boldest vertical perspective may
well have made the naïve Christian of the ... For the tragic is just in so far different
from the merely sad , as it is distanced ; and it is largely the exceptional which ...
Pagina 374
i chi 24 * / 2 " for us merely a material to be used and never a material to be
enjoyed ; is the object merely a cause to produce certain effects , never an end in
itself ; can our life be complete in itself if everything comes in question for us
merely ...
i chi 24 * / 2 " for us merely a material to be used and never a material to be
enjoyed ; is the object merely a cause to produce certain effects , never an end in
itself ; can our life be complete in itself if everything comes in question for us
merely ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole