A modern book of esthetics: an anthology |
Dall'interno del libro
Risultati 1-3 di 83
Pagina xxxiv
The lower death rate of the modern garden city tells a significant story; in England
it is lower, not merely than the other cities, but even lower than the surrounding
countryside. In these new communities, all the requirements of life, of the ...
The lower death rate of the modern garden city tells a significant story; in England
it is lower, not merely than the other cities, but even lower than the surrounding
countryside. In these new communities, all the requirements of life, of the ...
Pagina 92
We must recognize, however, that modern art has no tendency in this latter
direction. Beauty no longer suffices for us. Indeed, for the last two thousand years
something more has been required; for even among the chefs d'ceuvre of the
Greeks ...
We must recognize, however, that modern art has no tendency in this latter
direction. Beauty no longer suffices for us. Indeed, for the last two thousand years
something more has been required; for even among the chefs d'ceuvre of the
Greeks ...
Pagina 491
(Translated by Charles Francis Atkinson.) New York, 1928. Mumford, L.: "
Machinery and the Modern Style" in New Republic, XXVII (Aug. 3, 192 1), pp. 263
-5. "Beauty and the Industrial Beast" in New Republic, XXXV (June 6, 1923), pp.
37-38.
(Translated by Charles Francis Atkinson.) New York, 1928. Mumford, L.: "
Machinery and the Modern Style" in New Republic, XXVII (Aug. 3, 192 1), pp. 263
-5. "Beauty and the Industrial Beast" in New Republic, XXXV (June 6, 1923), pp.
37-38.
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words