A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 120
... moral and esthetic values : beauty , being a good , is a moral good ; and the
practice and enjoyment of art , like all practice and all enjoyment , fall within the
sphere of morals - at least if by morals we understand moral economy and not
moral ...
... moral and esthetic values : beauty , being a good , is a moral good ; and the
practice and enjoyment of art , like all practice and all enjoyment , fall within the
sphere of morals - at least if by morals we understand moral economy and not
moral ...
Pagina 146
... following observations have been suggested by Mr . Henry Rutgers Marshall ' s
recent book on The Beautiful . . . , The Real , Mr . Marshall tells us , may be
exhaustively divided into the Beautiful , the Valid or Factual , and the Moral Good
.
... following observations have been suggested by Mr . Henry Rutgers Marshall ' s
recent book on The Beautiful . . . , The Real , Mr . Marshall tells us , may be
exhaustively divided into the Beautiful , the Valid or Factual , and the Moral Good
.
Pagina 164
moral discrimination , not because a privilege of exemption is accorded to it , but
simply because moral discrimination cannot be applied to art . An artistic image
portrays an act morally praiseworthy or blameworthy ; but this image , as image ...
moral discrimination , not because a privilege of exemption is accorded to it , but
simply because moral discrimination cannot be applied to art . An artistic image
portrays an act morally praiseworthy or blameworthy ; but this image , as image ...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole