A Modern Book of Esthetics: An Anthology |
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Pagina 248
Unless he can make me see something that moves me , he cannot force my emotions . ... For , though A , B , C , D are the works that move me , and A , D , E , F the works that move you , it may well be that x is the only ...
Unless he can make me see something that moves me , he cannot force my emotions . ... For , though A , B , C , D are the works that move me , and A , D , E , F the works that move you , it may well be that x is the only ...
Pagina 249
Therefore , when I speak of significant form , I mean a combination of lines and colors ( counting white and black as colors ) that moves me esthetically . Some people may be surprised at my not having called this " beauty .
Therefore , when I speak of significant form , I mean a combination of lines and colors ( counting white and black as colors ) that moves me esthetically . Some people may be surprised at my not having called this " beauty .
Pagina 253
I have been inquiring why certain combinations of forms move us ; I should not have traveled by other roads had I enquired ... are perceived to be right and necessary , and why our perception of their rightness and necessity is moving .
I have been inquiring why certain combinations of forms move us ; I should not have traveled by other roads had I enquired ... are perceived to be right and necessary , and why our perception of their rightness and necessity is moving .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
Copyright | |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole