A Modern Book of Esthetics: An Anthology |
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Risultati 1-3 di 29
Pagina 248
Unless he can make me see something that moves me , he cannot force my emotions . I have no right to consider ... For , though A , B , C , D are the works that move me , and A , D , E , F the works that move you , it may well be that x ...
Unless he can make me see something that moves me , he cannot force my emotions . I have no right to consider ... For , though A , B , C , D are the works that move me , and A , D , E , F the works that move you , it may well be that x ...
Pagina 249
Therefore , when I speak of significant form , I mean a combination of lines and colors ( counting white and black as colors ) that moves me esthetically . Some people may be surprised at my not having called this “ beauty .
Therefore , when I speak of significant form , I mean a combination of lines and colors ( counting white and black as colors ) that moves me esthetically . Some people may be surprised at my not having called this “ beauty .
Pagina 253
I have been inquiring why certain combinations of forms move us ; I should not have traveled by other roads had I enquired ... are perceived to be right and necessary , and why our perception of their rightness and necessity is moving .
I have been inquiring why certain combinations of forms move us ; I should not have traveled by other roads had I enquired ... are perceived to be right and necessary , and why our perception of their rightness and necessity is moving .
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole