A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 248
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about esthetics , and yet differ about particular ...
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about esthetics , and yet differ about particular ...
Pagina 249
... move us as works of art move is another , and not an esthetic , question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art . In the last part of this chapter , when I ...
... move us as works of art move is another , and not an esthetic , question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art . In the last part of this chapter , when I ...
Pagina 298
... move- ment or in the moving figure , and through projecting my- self into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any other movement but ...
... move- ment or in the moving figure , and through projecting my- self into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any other movement but ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words