A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 298
... movement observed by me . But this does not suffice . My inner activity in this imi- tation is exclusively bound up in a two - fold sense with the observed object . First - the activity which I feel , I ex- perience as derived entirely ...
... movement observed by me . But this does not suffice . My inner activity in this imi- tation is exclusively bound up in a two - fold sense with the observed object . First - the activity which I feel , I ex- perience as derived entirely ...
Pagina 299
... movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own . The only difference seems to be that I now am conscious of experiencing and ...
... movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own . The only difference seems to be that I now am conscious of experiencing and ...
Pagina 409
... movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least took away a great deal of false art ...
... movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least took away a great deal of false art ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words