A Modern Book of Esthetics: An Anthology |
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Pagina 298
C lute met mus The of face mot B of effort , of success is no longer bound up with my movement , but merely with the objective bodily movement observed by me . But this does not suffice . My inner activity in this imitation is ...
C lute met mus The of face mot B of effort , of success is no longer bound up with my movement , but merely with the objective bodily movement observed by me . But this does not suffice . My inner activity in this imitation is ...
Pagina 299
And it is just because of this that I feel myself performing this movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own .
And it is just because of this that I feel myself performing this movement in the other's movement . In this " esthetic imitation " the facts seem to be analogous to what occurs in an unimitative movement of my own .
Pagina 409
The educational aim of the arts and crafts movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least ...
The educational aim of the arts and crafts movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least ...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole