A modern book of esthetics: an anthology |
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Pagina 298
of effort, of success is no longer bound up with my movement, but merely with the
objective bodily movement observed by me. But this does not suffice. My inner
activity in this imitation is exclusively bound up in a two-fold sense with the ...
of effort, of success is no longer bound up with my movement, but merely with the
objective bodily movement observed by me. But this does not suffice. My inner
activity in this imitation is exclusively bound up in a two-fold sense with the ...
Pagina 299
And it is just because of this that I feel myself performing this movement in the
other's movement. In this "esthetic imitation" the facts seem to be analogous to
what occurs in an unimitative movement of my own. The only difference seems to
be ...
And it is just because of this that I feel myself performing this movement in the
other's movement. In this "esthetic imitation" the facts seem to be analogous to
what occurs in an unimitative movement of my own. The only difference seems to
be ...
Pagina 409
The educational aim of the arts and crafts movement was admirable; and, in so
far as it gave courage and understanding to the amateur, it was a success. If this
movement did not add a sufficient amount of good handicraft it at least took away
...
The educational aim of the arts and crafts movement was admirable; and, in so
far as it gave courage and understanding to the amateur, it was a success. If this
movement did not add a sufficient amount of good handicraft it at least took away
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words