A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 330
... nature , never pretends to be nature and strongly resists any confusion with nature . It emphasizes the art - character of Art : " artistic " is synonymous with “ anti - realistic " ; it explains even sometimes a very marked degree of ...
... nature , never pretends to be nature and strongly resists any confusion with nature . It emphasizes the art - character of Art : " artistic " is synonymous with “ anti - realistic " ; it explains even sometimes a very marked degree of ...
Pagina 447
... was taken to be a realization of inferior portions of nature , those infected with chance and change , the less Being part of the cosmos . Thus while experience meant art , 447 JOHN DEWEY: EXPERIENCE, NATURE, And From Experience and Nature.
... was taken to be a realization of inferior portions of nature , those infected with chance and change , the less Being part of the cosmos . Thus while experience meant art , 447 JOHN DEWEY: EXPERIENCE, NATURE, And From Experience and Nature.
Pagina 451
... natural event in which nature otherwise partial and incomplete comes fully to itself ; so that objects of conscious experience when reflectively chosen , form the " end " of nature . The doings and suffer- ings that form experience are ...
... natural event in which nature otherwise partial and incomplete comes fully to itself ; so that objects of conscious experience when reflectively chosen , form the " end " of nature . The doings and suffer- ings that form experience are ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words