A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 105
... necessary knowledge dislodging and re- placing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the well - being of mankind being replaced by others kinder and ...
... necessary knowledge dislodging and re- placing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the well - being of mankind being replaced by others kinder and ...
Pagina 134
... necessary in an act of judgment . That which in memory appears thus to be a stable pleas- ure , we call esthetic ; what is indifferent in contemplation , we tolerate only as an adjunct ; what is painful in reflec- tion , we cast out of ...
... necessary in an act of judgment . That which in memory appears thus to be a stable pleas- ure , we call esthetic ; what is indifferent in contemplation , we tolerate only as an adjunct ; what is painful in reflec- tion , we cast out of ...
Pagina 232
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake . " Since everything that is ...
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake . " Since everything that is ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words