A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 31
... never seen a sunrise , seventy - five per cent had never watched a living rabbit , ninety - eight per cent had never beheld a river ( except the Spree ) ! It is easy to understand what the picture book means for the child under these ...
... never seen a sunrise , seventy - five per cent had never watched a living rabbit , ninety - eight per cent had never beheld a river ( except the Spree ) ! It is easy to understand what the picture book means for the child under these ...
Pagina 185
... never be seen again . What the poet sings of is a certain mood which was his , and his alone , and which will never return . What the dramatist unfolds before us is the life - history of a soul , a living tis- sue of feelings and events ...
... never be seen again . What the poet sings of is a certain mood which was his , and his alone , and which will never return . What the dramatist unfolds before us is the life - history of a soul , a living tis- sue of feelings and events ...
Pagina 374
... never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never ...
... never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words