A Modern Book of Esthetics: An Anthology |
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Pagina 31
An inquiry conducted recently in the public schools of Berlin showed that fifty -
three per cent of the pupils had not seen a snail , fifty - nine per cent had not seen
a wheat field , seventy per cent had never seen a sunrise , seventy - five per cent
...
An inquiry conducted recently in the public schools of Berlin showed that fifty -
three per cent of the pupils had not seen a snail , fifty - nine per cent had not seen
a wheat field , seventy per cent had never seen a sunrise , seventy - five per cent
...
Pagina 185
What the poet sings of is a certain mood which was his , and his alone , and
which will never return . What the dramatist unfolds before us is the life - history of
a soul , a living tissue of feelings and events - - something , in short , which has
once ...
What the poet sings of is a certain mood which was his , and his alone , and
which will never return . What the dramatist unfolds before us is the life - history of
a soul , a living tissue of feelings and events - - something , in short , which has
once ...
Pagina 374
i chi 24 * / 2 " for us merely a material to be used and never a material to be
enjoyed ; is the object merely a cause to produce certain effects , never an end in
itself ; can our life be complete in itself if everything comes in question for us
merely ...
i chi 24 * / 2 " for us merely a material to be used and never a material to be
enjoyed ; is the object merely a cause to produce certain effects , never an end in
itself ; can our life be complete in itself if everything comes in question for us
merely ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole