A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 288
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
Pagina 293
... object of my joy . But this we are not discussing . We are now only concerned with the immediately experienced activity , the success , the power , freedom , and so forth . The term " object " of joy is taken here in an entirely ...
... object of my joy . But this we are not discussing . We are now only concerned with the immediately experienced activity , the success , the power , freedom , and so forth . The term " object " of joy is taken here in an entirely ...
Pagina 294
... object of esthetic enjoyment is this sensuously perceived , this observed figure ; not the figure as such , however ... object , which however , so far as it is the object of enjoyment , is not an object , but myself . Or , it is the ...
... object of esthetic enjoyment is this sensuously perceived , this observed figure ; not the figure as such , however ... object , which however , so far as it is the object of enjoyment , is not an object , but myself . Or , it is the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
BEAUTY | 115 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole