A Modern Book of Esthetics: An Anthology |
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Pagina 288
the present article by defining the nature of the " esthetic object . ” It consists of
the “ sensuous appearance , ” not the bare physical object , but the image as
remodeled by imagination and charged with vital meaning . It is the beautiful
thing ...
the present article by defining the nature of the " esthetic object . ” It consists of
the “ sensuous appearance , ” not the bare physical object , but the image as
remodeled by imagination and charged with vital meaning . It is the beautiful
thing ...
Pagina 293
This imagined activity , or more generally this imagined self , can then also be the
object of my joy . But this we are not discussing . We are now only concerned with
the immediately experienced activity , the success , the power , freedom , and ...
This imagined activity , or more generally this imagined self , can then also be the
object of my joy . But this we are not discussing . We are now only concerned with
the immediately experienced activity , the success , the power , freedom , and ...
Pagina 294
Secondly , the object of esthetic enjoyment is this sensuously perceived , this
observed figure ; not the figure as such , however , but the figure so far as I feel
and experience it in myself , this strong , proud , free ego . The specific
characteristic ...
Secondly , the object of esthetic enjoyment is this sensuously perceived , this
observed figure ; not the figure as such , however , but the figure so far as I feel
and experience it in myself , this strong , proud , free ego . The specific
characteristic ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular perhaps physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole