A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
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Pagina 167
... observation ; the formalism of the Herbartians , of its confusion with mathematics . But it would be vain to seek pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never ...
... observation ; the formalism of the Herbartians , of its confusion with mathematics . But it would be vain to seek pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never ...
Pagina 189
... observation that he lays hold of the poten- tial in the real , and takes up what nature has left as a mere outline or sketch in his soul in order to make of it a fin- ished work of art . Altogether different is the kind of observation ...
... observation that he lays hold of the poten- tial in the real , and takes up what nature has left as a mere outline or sketch in his soul in order to make of it a fin- ished work of art . Altogether different is the kind of observation ...
Pagina 190
... observation is always external and the result always general . And so we come back , by a roundabout way , to the double conclusion we reached in the course of our investi- gations . On the one hand , a person is never ridiculous except ...
... observation is always external and the result always general . And so we come back , by a roundabout way , to the double conclusion we reached in the course of our investi- gations . On the one hand , a person is never ridiculous except ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words