A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
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Pagina 137
... once , the impressions of which are thereby asso- ciated . Repeated experiences of one object are also asso- ciated on account of their similarity ; hence a double tend- ency to merge and unify into a single percept , to which a name is ...
... once , the impressions of which are thereby asso- ciated . Repeated experiences of one object are also asso- ciated on account of their similarity ; hence a double tend- ency to merge and unify into a single percept , to which a name is ...
Pagina 370
... once , what is it really that I see ; the water itself must give us the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of ...
... once , what is it really that I see ; the water itself must give us the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of ...
Pagina 401
... Once more existence becomes self - conscious and now , de- tached from the land and the dream and the mystery , stands questioning , and wrestles for an expression of its new duty - as at the beginning of Baroque when Michelangelo , in ...
... Once more existence becomes self - conscious and now , de- tached from the land and the dream and the mystery , stands questioning , and wrestles for an expression of its new duty - as at the beginning of Baroque when Michelangelo , in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words