A Modern Book of Esthetics: An Anthology |
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Pagina 232
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the ...
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the ...
Pagina 289
The main feature of Lee's theory in its earlier formulations was the great stress upon the importance of organic sensations and bodily postures . “ We cannot satisfactorily focus a stooping figure like the Medicean Venus , ” she pointed ...
The main feature of Lee's theory in its earlier formulations was the great stress upon the importance of organic sensations and bodily postures . “ We cannot satisfactorily focus a stooping figure like the Medicean Venus , ” she pointed ...
Pagina 404
Just as the microscope is useless unless the eye itself is keen , so all our mechanical apparatus in the arts depends for its success upon the due cultivation of the organic , physiological , and spiritual aptitudes that lie behind its ...
Just as the microscope is useless unless the eye itself is keen , so all our mechanical apparatus in the arts depends for its success upon the due cultivation of the organic , physiological , and spiritual aptitudes that lie behind its ...
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abstract action activity actual appear appreciation artist balance beauty become bring called cause character classicism color complete connection consciousness contemplation created definition desire direction Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling formal give hand human ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth turn unity whole