A modern book of esthetics: an anthology |
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Pagina 232
These principles are, I think, very few; as few, indeed, as six: the principle of
organic unity, or unity in variety, as it has been called; the principle of the theme;
the principle of thematic variation; balance; the principle of hierarchy; and
evolution.
These principles are, I think, very few; as few, indeed, as six: the principle of
organic unity, or unity in variety, as it has been called; the principle of the theme;
the principle of thematic variation; balance; the principle of hierarchy; and
evolution.
Pagina 289
Working in collaboration with C. Ans- truther Thompson, she formulated a theory
of empathy independently of Lipps.2 The main feature of Lee's theory in its earlier
formulations was the great stress upon the importance of organic sensations ...
Working in collaboration with C. Ans- truther Thompson, she formulated a theory
of empathy independently of Lipps.2 The main feature of Lee's theory in its earlier
formulations was the great stress upon the importance of organic sensations ...
Pagina 404
Just as the microscope is useless unless the eye itself is keen, so all our
mechanical apparatus in the arts depends for its success upon the due cultivation
of the organic, physiological, and spiritual aptitudes that lie behind its use. The
machine ...
Just as the microscope is useless unless the eye itself is keen, so all our
mechanical apparatus in the arts depends for its success upon the due cultivation
of the organic, physiological, and spiritual aptitudes that lie behind its use. The
machine ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology A Modern Book of Esthetics: An Anthology, Melvin Miller Rader |
| Autore | Melvin Miller Rader |
| Editore | Holt, 1951 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 mar 2008 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |