A Modern Book of Esthetics: An AnthologyHolt, 1951 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 232
... organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle of hierarchy ; and evolution . I do not assert that there are no more principles ...
... organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle of hierarchy ; and evolution . I do not assert that there are no more principles ...
Pagina 289
... organic sensations and bodily postures . “ We cannot satisfactorily focus a stooping figure like the Medi- cean Venus , " she pointed out , " if we stand bolt upright and with tense muscles , nor a very erect and braced figure like the ...
... organic sensations and bodily postures . “ We cannot satisfactorily focus a stooping figure like the Medi- cean Venus , " she pointed out , " if we stand bolt upright and with tense muscles , nor a very erect and braced figure like the ...
Pagina 404
... organic , physiological , and spiritual aptitudes that lie be- hind its use . The machine cannot be used as a shortcut to escape the necessity for organic experience . Mr. Waldo Frank has put the matter well : " Art , " he says ...
... organic , physiological , and spiritual aptitudes that lie be- hind its use . The machine cannot be used as a shortcut to escape the necessity for organic experience . Mr. Waldo Frank has put the matter well : " Art , " he says ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words